Florentin Ginot, bass
FLORENTIN GINOT
Saturday 8 June • 20:30 • Chœur haut de la Basilique
Saturday 8 June
20:30
Chœur haut de la Basilique
Full price €15 • Reduced price €10
PROGRAM
Jean-Sébastien Bach (1685 – 1750) Partita n°1 for violin, BWV 1002 : Double 2 ; Sonata in E Minor, BWV 1023 : I. with basso
Remembrance (Improvisation with electronics)
Nicola Matteis (1650 – 1714) Ala Fantasia
Fátima Fonte Je me sens très bien, mais (Creation for basso & pedal)
adapted from the text I’m pretty comfortable, but I could be a little more comfortable by Lydia Davis, translated by Anne Rabinovitch
Patrik Oláh Elijah (Creation for basso & electronists)
Heinrich Biber (1644 – 1704) Sonata n°1 for violin with basso : The Annunciation I. Praeludium
Jean-Sébastien Bach Partita n°2 for violin, BWV 1004 : Sarabanda
From Farewell (Improvisation with electronics)
Jean-Sébastien Bach Partita n°2 for violin, BWV 1004 : Ciaccona
In collaborating with artists from various disciplines, Florentin Ginot opens his instrument’s frontier to create projects between classical and electronic music. For this, he investigates two music giants: Biber and Bach, giving a new vision to this repertoire. After many rich exchanges with two young composers, Fátima Fonte (Portugal) and Patrik Oláh (Hungary), Florentin Ginot relies on a workshop on the place of the double bass in today’s musical writing. The workshop is led as part of the European project EFFEA on the emergence of young artists. And it is in collaboration with the Cziffra Festival in Hungary and Estoril Lisboa Festival in Portugal.
